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TRIO

by John Dodge

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1.
How long must I play the fool? You think I woulda learned back in school But I was stupid, I was some kinda dense Pretty stupid but I’m comin’ to my senses now Late nights up to no good, funky business up in the hood I’m confessin’ that I wasn’t too nice Learned my lesson but I paid a terrible price When it looks like love but it smells like trouble You better turn right around, jump down on the double Johnny oughta know, Johnny’s on top Johnny’s in the spotlight, Johnny on the spot Touch fire, fingers will burn, this only took me a lifetime to learn I was mistaken, now I’m makin’ amends I was forsaken by my so-called friends No more drinkin and drivin, no more cheatin on the side No more chasin after money, runnin down numbers on a Saturday night No more whiskey in the water, no more janey in the pipe No more sneakin down the back stairs lookin to the left and the right Johnny oughta know, Johnny on top Johnny’s in the spotlight, Johnny on the spot
2.
Why don’t you love me? Why don’t you love me? Why don’t you love me? Don’t you love me anymore? I used to hit the town and paint it red Now I’m sufferin’ from this heartache in my head If you would only pay attention to my pleas You’d hear me beggin’, beggin darlin’, baby please—please—please I sent you perfume, the most expensive kind If you don’t come back right now baby I believe I’ll lose my mind Why don’t love me? Why don’t you don’t love me? Why don’t you don’t love me, don’t you love me anymore? Why don’t you don’t love me, don’t you love me anymore?
3.
Odd Man Out 02:36
You tell me that you love me, of this I have no doubt You tell me that you love me, of this I have no doubt But the ring on your finger tells me I’m the odd man out You tell me that my kisses are sweeter than wine You tell me that my kisses are sweeter than wine But I heard you tell your mister that you’d be home by nine If two makes company, three’s what makes a crowd If two makes company, three’s what makes a crowd So it’s time I hit the highway, ‘cause I’m the odd man I’m the odd man out
4.
5.
Before I give you to the arms of another I’ve got something to say…well, me and your mother It’s the best time we’ve ever had Being your mom and your dad Don’t forget to write, though folks don’t write much anymore Call from time to time, let us know how you’re doing The occasional Sunday dinner would be nice Maybe once a month, maybe twice if we can swing it You and your exciting new life You’re the newlyweds, newlyweds, husband and wife You remind us of us at your age, we were crazy Crazy in love all the while Now you’re the ones, the ones who are wearing That “pinch me, I’m dreaming” smile Don’t forget to laugh, ‘cause laughter lightens any trouble May no struggle or sorrow or strife ever darken your newlywed life You remind us of us, we were young once and foolish Feeding our hearts on a song For who but a fool would make this commitment When the rest of our lives are so long? Now it’s time to go, you’re blowing kisses from the door Blessings on you both and your brand new beginning If a baby comes along that would be nice We could take her off your hands from time to time You’ll do fine in whatever you do in this life You’re the newlyweds, you’re the newlyweds You’re the newlyweds, newlyweds, husband and wife
6.
7.
Locked and ready, ready to roll ‘Cause the big one’s comin,’ don’t you just know But down on the corner, we got nowhere to go When the levee breaks, when the levee breaks When the levee breaks, we’re in for a great big…. It’s business as usual, our backs to the wall ‘Cause You can’t even compromise, you can’t do nothing at all Smells like the empire right before the fall When the levee breaks, when the levee breaks When the levee breaks, we’re in for a great big… Instrumental break When the levee breaks, when the levee breaks (it’s more than just water) When the levee breaks, when the levee breaks When the levee breaks, we’re in for a great big change
8.
9.
Mama, I wanna be a guitar player when I grow up I said mama, I wanna be a guitar player when I grow up She said, I’m sorry son, you can do one or the other but you can’t do both I said, Mama, I wanna make the people jump and shout Wanna rock ‘em, wanna sock ‘em, wanna show ‘em what it’s all about She said, believe me honey, that’s the road to perdition there ain’t no doubt You can grow up a mighty good man Or you can run around town with that thing in your hand You wanna break your mama’s heart? Keep playin’ that guitar out in the yard But Mama, I got the fever down deep in my soul Mama, I got the fever down deep in my soul She said, Lord have mercy, protect my baby from that rock and roll You can grow up a mighty fine man Or you can run around town with that thing in your hand You wanna make your mama proud? Turn down that guitar, it’s too damn loud! But Mama, I got music rockin’ in my head Gonna make a million dollars and buy me one that’s shiny red She said, God almighty, ain’t you been listenin’ to a word I’ve said? You can play the guitar or grow up, but you can’t do both I’m sorry son, you can do one or the other but you can’t do both
10.
Sign Up 03:36
Friend let me tell you a story ‘bout a house at the edge of town There in the dark blue midnight a dirty little deal went down The boy said, “Man, I got to have all the money, all the women, all the fame.” The man said, “Son, that won’t be a problem. I can get you what you want today… Once you sign up, sign up, once we get you in the program Flash! went the smoke and the lightning, the contract he did sign It’s gonna take the church unusual to break him out of this one alive He signed up, he signed up, now they got him in the program Truth can be so complicated, easy to believe the jaded lie It’s always the same situation, the cradle to the grave The moment of truth at the crossroads: will you be the master or the slave When you sign up, sign up, once they get you in the program Sign up, sign up
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about

Electro-acoustic Americana-flavored alt/folk/rock

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released December 7, 2013

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John Dodge Portland, Oregon

Folk-rock-classical-jazz. That’s my answer to “What kind of music do you play?” Considering the dozen states I’ve called home, it’s not surprising that my styles range as widely as my travels. But rather than try to label the sound—because everybody has a different idea (Americana/roots/urban folk pop/indie acoustic), I just go for three qualities in my music: it’s rhythmic, melodic and memorable. ... more

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